THE SKINNY

The Skinny Magazine in Vancouver is LIVE - LOUD - LOCAL covering independent and touring music - Punk, Metal, Garage, Noise and Rock n Roll since 2008!

WINTERSUN, FLESHGOD APOCALYPSE, ARSIS, STARKILL

The Rickshaw Theater - Sept 21 2013


This energetic night of camaraderie proved to be an international representation of symphonic metal and superb musicianship. Starkill, the Century Media newcomers break the ice to a receptive audience of metal fans.

Headliners, Wintersun, hailing from the land of ice and snow were warmly welcomed with a much-anticipated reception. From Finland: Jari Maenpaa is on lead vocals and guitar, Kai Hahto on drums, Jukka Koskinen on bass and Teemu Mantysaari is on guitar, all demonstrating brilliant arrangements of progressive, melodic, symphonic metal.
Clever compositions keep the audience spellbound by their performance. The passionate, set included “Beyond the Dark Sun”, “Battle Against Time”, “Sleeping Stars”, “Beautiful Death”, “Death And Healing” followed by the grand finale of “Winter Madness.”

SNFU, the Fondlers , Bad P.R. REVIEW


SNFU -  photo by Cat Ashbee
SNFU - Cat Ashbee photo

February 1, 2013 -  Funkys AKA Thrashers


We got into Thrashers in time to catch a nail-biting Canucks victory in overtime over Chicago, to the delight of the packed crowd.  Shortly after, the opening band Bad P.R. took the stage starting with a funkified cover of the Talking Heads classic "Burning Down the House". The funk continued throughout their set, which was a mix of rock and alternative complete with slap bass, guitar wankery, and a little rap.  Basically they were a time warp back to the ‘90s, reminiscent of Bootsauce.

LIONS IN THE STREET


take the reins

by More Betty
photo by Leigh Righton

LIONS IN THE STREET - photo by Lee Righton


On The Lam is very much, a rock n roll record which is equal parts denim and leather. A brand new EP by Vancouver's rockers, Lions In The Streets. “It's about exile and being exiled .... angry songs,” says vocalist/lead guitarist Chris Kinnon and “it's not seventies rock anymore.” The band remains a four piece with: Sean Casey on rhythm/acoustic/slide guitars, Enzo Figliuzzi on bass and Jeff Kinnon on drums and vocals. The new release is set to hit the streets February 19, out on Beverley Martel worldwide (www.worldsend.com).

After their seventies flavoured, self titled album there has definitely been some living, grit and growth behind the music. With changes, but still a few connections. “This one's not so backward-looking. We made what we feel was as good a retro record as anyone's ever made, so it was time to move in a new direction. We love the 2009 record and are very proud of it, but it was time for something new and different. Really challenged ourselves with this. Also, listened to lots of metal!” says Kinnon.

One link between the albums are the tunings, the older album was in open tuning and a couple of the songs on the new EP are as well, but the others are in standard tuning. “So that changes the timbre of the music,” explains Kinnon, “but the approach is the same.” The EP will include a remixed version of “Moving Along” which came by request. An earlier version appears on the 2009 LP. “Tighten The Reins” is another 'riff rock' number on the album. “[It is a song] about assholes who take advantage of vulnerability and hit them when they're down. They can tighten but never control,” says Kinnon. The sound on the other songs can be described fuzzy, dark and heavy. “There more minor chords in this music than anything else we've recorded, the guitar tones are a little bit nastier, maybe,” he says, “the rockier side of Cheap Trick, not power pop.” There are no keyboards this time either. Another number off the EP, “So Far Away” is described as “about the temptation to become arrogant and proud and deal with things vigilante or on your own,” he says.

Lions In The Street was a rock n roll band that was poised to do big things, very big things with a label looking at producers such as Todd Rundgren and Bob Ezrin. You hear the stories about bands being dropped by their labels. Theirs, was a story about a label that would not let them go and there was an album that was never finished. They initially entered the recording session with power pop material and by midway the band really had hit their stride writing and amassing a great deal of new material along with rock n roll songs. There was a disagreement with the label as to which songs were going to be part of the record and which songs weren’t. The short of the long story here, is that after substantial time, considerable expense out of the band's own pockets and litigation they were finally able to break free. By 2009 they independently released the self titled Lions In The Street LP, an incredibly infectious album with nod to seventies rock n roll. You can still download the self-titled debut LP or order a CD at lionsinthestreet.com

Fastforward to 2013, now with the EP On The Lam under their belt, Lions In The Street will be heading down to SXSW this year. They are also working on a tour. There will be Canadian stops and are looking at western dates in Calgary, Edmonton, Regina, Saskatchewan, Whistler, Victoria and very select Vancouver gigs.

Lions In The Street will join La Chinga Saturday, March 2 as both bands celebrate EP releases at Astoria Pub, 769 East Hastings

THE SPITS, TUBULOIDS

Electric Owl - January 16, 2013


The Spits - photo by tiina liimu
The Spits

Three hooded miscreants and one clown provide a soundtrack to one of the most irreverent garage punk evenings and raucous pits in awhile.

Complete with a stage diver who consistently launched himself off every platform available. The first dive was clear into the only hole in the crowd. Hopefully that polished concrete tasted good.

DESPISE YOU

Despise You photo by photo by Monukka Fajardo
Monukka Fajardo photo

L.A. Forever!



The split male/female vocals tag team some of the most intensely bleak lyrics to bleed out into a to a confrontation of words. “It's all personal stuff from around where I grew up and still live. I don't talk about the 'politics' of any of it in any detail says skater, vocalist. Inglewood California's power violence band, Despise You had built a following putting out vinyl anonymously in the 90s.

“We just did a bunch of 7-inch records, most of that stuff was put together to make the West Side Horizons record since all that stuff was hard to get,” says Dodge. The West Side Horizons LP and CD has been repressed in both USA and Europe. Despise You recently released a split EP with Agoraphobic Nosebleed which is out on Relapse. “A couple of those guys started talking and wanted to play again [and]everyone was into it. When we first got back together we wrote a couple new songs we thought were good so we decided to do a new record,” he says and “we've had different people at different times. The current lineup is the same as the people who recorded the newest album, except Adam is playing bass instead of Chris.”

The list of bands that current and former members of DY have played in starts to read like an evolution of California grindcore and power violence. They have been have been part of Excruciating Terror (grind), Spazz (pv), Stapled Shut (pv), Crom (grind/metal), Gasp (pv), Bloody Phoenix (grind) and Lack Of Interest (pv). For a new listener, this hybrid punk which evolved in the 90's can get involved fast. “I guess it's hardcore? I don't know. Punk ethics, has some metal here and there. I think since we came out in '94 and when all the MITB[Man Is the Bastard], Spazz, Crossed Out etc. was going on and we were associated with Slap A Ham and Pessimiser, we were put into that group of 'powerviolence' bands. That word gets hung on everything now that's fast and non-musical,” he explains. Incidentally, two of the DY band members are behind those labels. Chris Elder (vocalist) is Pessimiser Records, a Los Angeles/Inglewood label. Chris Dodge (bass player) is Slap A Ham a label outta the Bay Area.

The duo vocals over the distorted instrumentation and mixed timings stands out, immediately. “I guess the guy/girl vocals are different than a lot of bands. I know Hatred Surge does that and it sounds good. We have an L.A. sound (on purpose),” says Dodge. This is a rare night and this visit to Canada is a first. A few tickets are still available at the Zoo Zhop.

DESPISE YOU play Thursday February 7th at The Russian Hall, 600 Campbell Avenue with OBACHA, AHNA, OSK, VIOLENT RESTITUTION, SKUFF - 8PM sharp!

- More Betty

D.O.A., THE REBEL SPELL, RAMPAGE, FIERCE CREEP

Rampage photo by Bev Davies 2013
RAMPAGE  - Bev Davies photo

FEBRUARY 2013 - RICKSHAW THEATRE


It was a multigenerational audience for the D.O.A. final show send off.  From the first wave of  the 1970s, the birth of Vancouver punk to successive generations and new fans spread out across the venue from the floor to the balcony. Tickets for the Friday night send off sold out well in advance and due the the popularity of the event, The Rickshaw added a second night for D.O.A. fans. Rebel Spell returned and Real Problems replaced Fierce Creep and Trail of Broken Treaties were scheduled in to start off the Saturday night. Two Skinny Mag writers chimed in on their experience of the punk rock finale.

QUICKSAND, TITLE FIGHT

QUICKSAND - tiina liimu photo 2013

The Commodore Ballroom - Thursday, January 17, 2013


It had been a lot of years since I had last been inside the hallowed walls of the Commodore and even more since I’d last seen New York City post hardcore veterans Quicksand, who reunited in 2012 and are currently on their first North American tour in fifteen years.

CAR 87

CAR 87 - Trapped

Trapped - Independent


Once you slap that blood red disc onto your turntable be prepared to experience four ZERO tolerance numbers. Spared back punk which exorcise the anguished demons of self loathing and addiction. And it's real.

SUBCULTURE FEBRUARY

SUBCULTURE by wendythirteen

As I'm repeatedly receiving messages from the 'Save the Waldorf' groups, I just have to chime in about this debacle.... I hastily signed one of the many petitions before I knew the all the facts ... I feel like I was fleeced with the hysterically storied 'Big Bad Condo Developer is to blame' headline...Then bit by bit the real story trickled out... The Waldorf Productions lessees were up to their necks in debt... Three things about this whole scenario screamed huh?