THE SKINNY

The Skinny Magazine in Vancouver is LIVE - LOUD - LOCAL covering independent and touring music - Punk, Metal, Garage, Noise and Rock n Roll since 2008!

BISON

BISON - Derek Carr photo

Old name becomes new again for seasoned headbanger


For most heavy bands, being dropped by a major metal label might be a detrimental situation, but, when Metal Blade Records chose to release them about a year ago, the band Bison b.c. took it all in stride. After seven years and a three-album output the two camps have gone their separate ways. “They got to run a business and we aren’t making any money for anybody. So we had to go. That’s it. No hard feelings,” guitarist/vocalist Dan And deadpans. And if this seems like a step backwards these guys will have nothing of it. “We know enough people who put out records,” And says. “We don’t need some big label down in the states or whatever.” The mighty Bison does not slow easily and rumbles on.

GRASS CITY

Grass City

Triumphant Glory Blues Rock 


Grass City is back! And back with a glorious reprisal. They have emerged once again with the release of their epic new album, Through Harvest There’s Hope.

“It’s a personal vendetta,” as vocalist/guitarist Kurtis Dernisky likes to put it. “The title is so fitting to what we just went through in the last four years. It was like harvesting our own baby. We just nurtured this shit and just love it, just like a child.”

It has been four years since we’ve heard a peep from this crew but after one listen to the new album it’s quite apparent that it was well worth the wait. Four years of soul searching, personal tragedies, and nose-to-the-grindstone writing sessions are most often the perfect ingredients to cook up a nerve chilling musical slab of legendary proportions. And that has been the underlying story of what Grass City has done.

WALL OF SOUND - FEBRUARY


Gigs, news and venues too!


On Saturday, Feb. 1 at the Railway Club are a few heavy hitters that you don’t wanna miss: Blacked Out, Cliffjumper, Legion Of Goons & Spree Killers. Probably the punkest show that is closest to the downtown core that night.

SUBCULTURE FEBRUARY


SUBCULTURE by wendythirteen


As yet again I rush to write this column I wonder if I’m repeating myself ... I figured I’d just scribble down a bunch of musings at work as I’m listening to extremely loud death metal... Hey, it actually ripped me away from twiddling with my phone for a couple of hours...

I had an interesting conversation with a cab driver the other night... As I was checking the NHL app on my phone for the hockey scores, he chimed in about how the world is changing people’s attention spans with technology...

DISWORSHIP


Brains, speed and volume


“We like our doomy sludge yet are compelled to grind, grind, grind,” says vocalist, Mark Skwarok, on the topic of influences such as Eyehategod, Phobia, Insect Warfare and Noothgrush.

Disworship evolved from the ashes of Cathar with Freya Giles on drums and vocals, (Nun Un, Cathar), Greg Dinardo on guitar (Strain, Write Off), Scott Bartlett on guitar (Nun Un, Destroy All) and Kavan Cronin on bass (Memorial, Night Terrors, Brains). “We went through some member changes and our music began to change,” says Skwarok. With that, came a new name.

WHO GOT TOONED?



Look no further this January, here we have the anomaly of Paul MacKenzie! 


This front man has been chasing the road for a few generations. Be it a salute to Detroit Rock n Roll, revving up the engine for the Enigmas, or hitting the highways with The Real MacKenzies! This gent is back in the ring this January with the elusive Enigmas.  With their high energy, psychedelic garage rock, geared up in tight stripes ready to coax your shoes and the winter blues outta those cement blocks.  But that’s not all; the Real MacKenzies’ got some surprises up their kilts! Woops!

Illustrator Dan Harbord takes his skills to the page to get you tooned up for a series of stellar performances. Ready, set, GO!

WITCH OF THE WASTE

Witch of the Waste


An Island In the Flood


There are many challenges facing a young band trying to break through Vancouver’s surging heavy music scene — a scene that is awash with many specific sub genres and pigeon hole traps. It is important for a band to stand out by having a distinct sound and unique identity, otherwise, how can a band fit into and yet separate themselves from this overflowing landscape?
That is not an easy thing to do without alienating the often fickle metal crowd that trudges out every weekend to witness what can be a one-dimensional four-band bill.

ANI KYD

ANI KYD

Branches Out


Artist, vocalist Ani Kyd’s newly wrought energy turns its attention to her new album Entangle. Out on Alternate Tentacles, a label known for heavier or more provocative material, this release broadens with a new set of roots and branches. On Entangle, Kyd collaborated with four different composers across six songs, giving each song a distinct sound and feel.

SPREE KILLERS


Spree Killers - Selftitled - Independent


If the Spree Killers were required to submit urine samples to test for performance enhancing drugs, not only would it come up positive, but traces of vinegar would also be found. In particular, vocalist Fanni Adams’ screeching diesel style defines the piss and vinegar attitude. An explosive and snotty over the top delivery like hers will either send people heading for the hills or cause seizures of reckless destruction. She rants and raves like a vile hawk at feeding time. Underneath it all is a thick pulse-driving punk rock drubbing of the senses provided by tasty guitar slides and three-chord raucousness. With song subjects that include such themes as necrophilia, inappropriate beer-spillage and not giving a rat’s ass.

THE WALL OF SOUND - JANUARY

Gigs and gossip 


If you got it, send it over to Tanya Van and Rene Milord at our email: skinnywallofsound@gmail.com

Goth rockers MODE MODERNE’s record release for their new album, 'Occult Delight,' is on FRIDAY, JANUARY 3RD at the Biltmore with Cosmetics. Eight-band line-up – you can’t go wrong!

SUBCULTURE JANUARY


SUBCULTURE by wendythirteen

As we enter another calendar year of giveths and taketh aways, I face one of my greatest challenges... Working in a bar sober... As you may have heard, I was recently hospitalized for a pickled liver and its manifestation of an absurdly huge buildup of fluid in my body... After some fluid shedding meds, I feel like I was a balloon that was popped finally... Sadly, this development in my overall health has caused my permanent breakup with Jagermeister... It was a long exclusive run... I'll miss you!

SUICIDAL TENDENCIES, TERROR, TRASH TALK



The Vogue Theatre - December 4, 2013


If you consider yourself a punk, metal head or skater, then why the fuck weren’t you at the Slam City Tour? Too cold outside? That didn’t stop piles of these scary-looking fuckers from cramming into the Vogue on December 4th to witness the best show of 2013 and a band that has been credited as the fathers of crossover thrash, Suicidal Tendencies.

Sacramento’s Trash Talk started the festivities and warmed up the growing crowd with their chaotic style of hardcore punk meshed with grindcore. By the time Terror took to the stage, the place was packed.

THE WALL OF SOUND - DECEMBER

As sure as there will be annoying Xmas decorations out weeks before the big day...


There will be annoying roadblocks so don’t drink and drive, kids. We got some gig listings and some news in this column to keep you maniacs smashing and dashing through the December fog and rain.

ENIGMAS

Enigmas - tiina liimu photo


Live and Revealed



This anomaly returns for one special night! But who are they? Well, by the ‘80s, this missing link had grown out of Vancouver’s punk scene. They may have worn the “psychedelic garage rock” moniker, but there seems to be so much more about them. With a raucous live show reputation, they’d launch onto stage in their second-hand store ‘60s garb, props, humour and a night of high-energy rock ‘n’ roll.

 So, fast-forward to 2013 and three of the four original members have been busy rehearsing. Spotted in the jam space, Paul McKenzie (Real McKenzies) is on vocals and sax, Randy Bowman (Scramblers, Subhumans) on drums, Mike Davies (Cane Toads, JP5) on guitar and Stephen Hamm (Slow, Tank Hog) joins them on bass once again, since the 2010 astounding Enigmas birthday show for Spores vocalist Danny Nowak.

 So, why the show now, just out of the blue? “Because Mike said so,” answers Bowman. Mackenzie appears to nod in agreement. Davies, silent on the matter just walks in with a liquid light show projector and an incredible 12-string, “Ventures” Mosrite in hand. It was a hushed moment, where you just have to respect that actions do speak louder than words.

 These mystery pranksters came together in the early ‘80s with Davies, McKenzie and Olinek. Cam Wagner was originally on drums but he couldn’t make all the live shows. So, enter Bowman, as he had just finished with the disbanded Subhumans. McKenzie, a cook at the time had prepared Bowman a memorable meal in a restaurant visit and the two had bonded. The original bassist Brian Olinek unfortunately no longer plays with the band, as he has relocated.

 But the origin of the band name? After a good 45 minutes of long winding tales, the true confession finally leaked. “Spoik came up with it [Spoik being the guitarist Davies’ handle],” says McKenzie. “We just figured it was a good idea at the time.”

 And the band sound? With the punk scene settling down, they found themselves listening to the Pebbles garage compilations, also MC5 and Iggy. The Detroit influence had a hold on the front man, he claimed it spawned a ‘70s Detroit pilgrimage for him. “We play a lot of Sonics songs,” says Bowman, and “five of our set are Sonics songs.” Texas psych classics such Roky Erickson and Red Crayolas were discussed. “We love, The Coasters, “5” Royales, and American jazz,” Bowman and McKenzie spurted and the name James Brown spilled out as well. With wildly diverse influences the band seemed to retain an elevated drive. “As for the bass melodies, Olinek wanted to play as fast as he could,” says the drummer, explaining the bass playing took on a guitar role. Self-production and artwork was a big part of Davies contribution “If Mike Davies wants it, it happens,” says Bowman.

 They had recorded some material with help from Zulu Records. Two twelve-inch records emerged, Strangley Wild in 1985 and Enigmas? from 1983. They can also be found on a few comps and 45s. A clever holiday, Christmas song "Roadblocks Are All Over This Town" is on Ukhisimuzi, a 1984 Zulu seven-inch, and a Halloween song can be found on the 1984 Hollow Weiners comp. Then suddenly McKenzie makes a connection and breaks out singing the hilarious creepy “Dead Zoo” while seated at the table. “Danny’s favourite song,” adds McKenzie.

 After some prodding about a studio visit, the boys broke down and revealed. “We have a plan to rerecord some of the material that never made it out,” says Bowman and adds, one of the songs being “Charlie,” about Charlie Manson and another number about riding a bike. No studio yet, but you are going have to go to the live show to catch these! So hop a bike, unfold your “Windshield Wiper” dance step directions and get set!

 On Saturday, January 11, 2014 join the Enigmas for yet another celebration at the WISE Hall and Lounge

- tiina.l

NIHILATE

Nihilate -  photo by Kim Thiessen

manifestation of the beast

by Heath Fenton

photo by Kim Thiessen

 Bands often encounter challenges. The band Nihilate can attest and have overcome these trials by channelling the results into a video release. Tracing this path brings us back to 2010. After releasing their first full-length album Synthetic Order, they were dealt with the unfortunate departure of their lead vocalist.

This is probably one of the most frustrating situations a band can encounter. As the band regrouped, they managed to catch a break when heavy-hitting scene veteran Cam Kroetsch (Process, Minority, Punchdrunk) came aboard to play guitar. So, the campaign was on to recruit a new vocalist with wanted ads posted online and posters hung all over town. Sadly, no one had enough muster to fill the void.

 So the rejuvenated crew of Kroetsch, second guitarist Matthew Frost and bassist Grant Era decided to tackle the job themselves and turned it into a unique situation with three leads on vocals. Playing metal and singing isn’t easy, especially when the vocal parts were written by an ‘instrument-less’ front man. “I’m really proud of everyone for stepping up and losing their voices every night to try and better the band,” Frost gleams. “It’s nice that we have three guys who can sing and back each other up.” There is no doubt that the revitalized Nihilate, rounded out with harefooted drummer Wes Kennedy, could pull it together and move on to be a dominant force in Vancouver’s metal scene. You can say that these challenges had fueled the anger that now translates into a hungry Nihilate.

They sound like a caged animal finally released to kill. A band which came out swinging garnering some high profile opening slots with 3 Inches Of Blood, Goatwhore and Soulfly. Fitting counterparts who slam hard with old school thrash ideals and brush strokes of extreme metal. This is ‘some pissed-off music.’ Their video for “Face Of Aggression” is gathering a decent amount of traffic and gaining notoriety.

Rather than releasing a record, another video is in the works as they plan a forward thinking approach to the ever-evolving music industry. “With a video you can reach mass people super quick, so why not?” explains Kroetsch. “The shows we’ve done since the video, people have come up to me and say that the video is the reason they’re at the show.”

  Nihilate rings the neck of perseverance and makes sure it pays off. Do yourself a favour and catch them at Diecemberfest, December 13 at The Rickshaw Theatre.